The first week of July 2019, I spent in the Victorian Alps for a masterclass on field recording. This setting was specifically chosen as the conditions above the snowline mirror those of the polar regions. The masterclass was held by the Bogong Centre for Sound Culture, and led by Philip Samartzis and Douglas Quinn. Both Phil and Doug have spent time in Antarctica field recording and creating art from the sounds.
Five full days of field recording and learning about field recording. I managed to accumulate a fair amount of material and released three albums of the soundscapes of the Bogong High Plains.
On one of the days I was out with a kalimba. I improvised to the environmental sounds of the YMCA Howman’s Gap Alpine Centre, that provided us accomodation. These recordings were made using two ZOOM H6 Handy Recorders and a contact microphone.
Other days I was just recording the environments of a few places around the area. Including the Howman’s Gap Alpine Centre, we also travelled to the McKay Creek Hydroelectric Power Station, and up to the Rocky Valley Dam around Falls Creek. These recordings also used the Zoom H6 recorders but also a JrF hydrophone, a shotgun microphone, and a Priezor VLF antenna.
Snow Line is the recordings from the environment above the official snowline on the alps.
Meltwater Valley is recordings from up around the Rocky Valley Dam, where there was a fair amount of snow everywhere. The sun was out most of the time during the week so the snow was starting to melt.
I have recorded a few of the pieces I have been working on lately and included them in an album.
If you are familiar with Max/MSP, then you would know that the object known as sfrecord~ will record the audio input to a file on the hard drive. It is a simple way of retrieving the output of a patch. I have used this method to capture the sound from a few patches.
I intend to continue to use the concept of sfrecord~ for albums, as they demonstrate some of what I have been working on.
– Rhys Channing
I have decided to create an album of some of the things I’m working on in Max.
Each track will be a simple recording of the output of each patch with minimal post-processing.
It is because of this that I have chosen the title…
One track is finished already, out of… I haven’t decided yet.
It is a first draft of an interdisciplinary performance idea I’m working on with some other Mandurians.
I will update when I have done the next track.
‘Composed with Max/MSP and Garrahand percussion instruments, Æsthēsis is a foray into glitch-and-noise-based electro-acoustic ambience. Tilde~’s compositional approach forgoes lush, synth-heavy soundscapes and opts instead for close-up electronic crackles and distant metallic arpeggios. Contemplative melodies peeking through the white noise.’
I got to the Pillbox Studio after midday and had lunch before I got stuck into it. The band who were in the studio previously weren’t courteous enough to tidy up after themselves, so I spent a lot of my time tidying up cables and such. Eventually I got everything where it needed to go.
I arranged all of my own gear and cables before placing microphones.
Then I was finally ready to go into the control room and check the signals.
The patch leads are very colourful.
Happy with day one.
Days two and three will be recording tracks and starting the mixdown.
I will hopefully be able to get into a studio in the not too distant future, to record an album for my tilde~ project. I want to have the six tracks of Æsthesis recorded in a live room for natural spatialisation. So we will see how it all goes.